Ingardeniana III: Roman Ingarden S Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature Anna-Teresa Tymieniecka

ISBN: 9780792310143

Published: July 31st 1991

Hardcover

365 pages


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Ingardeniana III: Roman Ingarden S Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature  by  Anna-Teresa Tymieniecka

Ingardeniana III: Roman Ingarden S Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature by Anna-Teresa Tymieniecka
July 31st 1991 | Hardcover | PDF, EPUB, FB2, DjVu, talking book, mp3, ZIP | 365 pages | ISBN: 9780792310143 | 6.71 Mb

In the footsteps of Ingardeniana II, this volume marks the 20th anniver- sary of Roman Ingardens death, partly focusing upon his thought, partly bringing his aesthetics into the present-day framework of research. It might have appeared puzzling toMoreIn the footsteps of Ingardeniana II, this volume marks the 20th anniver- sary of Roman Ingardens death, partly focusing upon his thought, partly bringing his aesthetics into the present-day framework of research. It might have appeared puzzling to the followers of our Analecta Husserliana why within the original horizon encircled by the research work of our International Society of Phenomenology and Literatur- whose research work is devised in a diametrically opposed direction to that of Roman Ingarden - there is steadfastly running through our discussions a line of Ingardenian reflection.

The reason, as I have pointed out in the introduction to Ingardeniana II, expertly edited by Hans Rudnik, is clear: Ingardens analysis of the intentional structures of works of art offers in its distinct and clear-cut forms an objective correlate - as well as a point of reference - to the vast conundrum of issues concerning the creative endeavor of the writer, poet, artist in their struggle to endow life with its specifically human significance- a conundrum that in our research we are trying to disentangl- elucidating its mysterious ramifications, their sources and dynamic virtualities.As a matter of fact, Ingardens thought, newly interpreted and originally expanded, occupies a legitimate place in the present collec- tion.

We find here, in the first place, an original expansion of Ingardens aesthetic theory in the monograph of ladwiga Smith followed by the essays of Wadaw Osadnik, Yushiro Takei and Charles Rzepka.



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